Kay Octigan, the youngest of eight sisters called Kay, was born in a fly blown shanty amongst the steamy boondocks North of The Watford Gap.
Kay spent her earliest days hanging with the old blues men and Bourbon Jazzers of the Tin pans and yard stoops in her neighbourhood, here it was soon discovered that Kay could smell a harmony at ninety paces. Although uncommonly clumsy Kay became a child star lauded for her solo harmonies and improvised Kazoo anthems.
At the age of ten Kay was sold into the dark and seedy world of choral singing where she survived twenty one years of hell through a mixture of practising her technique for kazoo based brain soothing and by breaking things.
Kay likes to borrow Dave the saxophonist's hair straighteners when he's not looking.
Eddie has played stunt saxophone for the likes of Sylvester Stalone, Mel Gibson and Judith Chalmers. He has a relaxed style and prefers the foot astride stance when playing to the more restricted heel-toe stance of the be-bop era. Eddie gave up his musical stunt work when the call came to join the Soul Traders at the beginning of the bands life, but his old work still calls to him now and again. He says, "show me a moving van and sometimes I can't stop myself from leaping from its open door sax in hand!" Eddie is married with puppies.
Viv was born into a musical family. She perfected playing the oboe at an early age and sang in junior and senior operatic productions until the rise of fascism forced her and her family to flee to the relative safety of the Swiss Alps. From there they walked to Tiverton where The Soul Traders took the family in. Viv is sometimes responsible for the shape of the band's heads and quite likes older men.
Matt started singing at a young age by harmonising with his Mum's pull down hairdryer. He grew up listening to soul music and when he reached 19 joined his first band, Rude Mood. He played the Nottingham Blues scene with the band before moving on to be lead singer in a Deep Purple tribute band… his 'Child in Time' is something to behold. Matt moved to Devon in 1998 and joined Soul Traders a year later. He has been with the band through thick and thin, sickness and health. In 2009 he was diagnosed with cancer of the tongue, at that point he was unsure if he would ever speak properly again, let alone sing. After a major operation, radiotherapy and a good recovery period he started to sing tentatively. A year later he gave his first performance, improving each time and here he is back in fine voice. In 2011 he spent an enjoyable Christmas in pantomime at Torquay's 'Princess Theatre' acting & singing alongside Lisa Riley; but his first love is still singing when backed by a 'power' band.
Neil never learnt to play the piano from the age of eight, he was then told to be a drummer. He has always been very willing to pass on drumming tips to any drummers close enough to hear him. Neil was told to start playing the piano again as The Soul Traders prepared for their first gig (they already had a drummer) and later, after spending a tense few hours being probed by wicked aliens in a hired star ship he took up the organ. Neil uses his own hair on stage.
I was born into a farming family with gospel music being an important part of our way of life. Members of the family would sing together and play our instruments in little chapels throughout the area. From then on I played in various little bands, which led on to playing in an American-based Gospel band in the mid 80's. This took me around parts of Norway, Sweden and Finland, as well as Wales and Scotland. I married in 1988 and have 2 children. 2012 joined Southern Soul Traders and also became a Grandad!!
Gear -- I use a Jaydee 4 string bass and occasionally a 5 string. Ashdown amp and Hartke speakers.
Sam was a feral guitarist, dumped on the doorstep of a local music shop until The Soul Traders took him in under their wing. As well as looking at stars and making things look pretty on the internet, he has also been known to occasionally riff out the odd tasty blues lick, and on an even rarer occasion to actually play in the correct key and not descend into his native tongue of classic rock.
Martyn started playing the violin at the age of seven, and, fingers strengthened by years of goat milking, initially showed great promise. After the BBC Young Musician of the Year in 2004, he realised that he would never play as well as Nicola Benedetti, so concentrated on the sax. His career has stumbled on meteorically since joining the Soul Traders in 2009. Favourite colour blue, favourite fruit raspberry (one of your five a day).
Graham Miles joined the Soul Traders after usurping the previous drummer (who was a girl!) in a bloodless cagoule. Graham has not been seen near many of us for plenty of years as he spent a long time living in Aberdeen (which is near England). There, he filled his days with some other people exploiting the residue of long dead pressurised cockles and whelks. While in Aberdeen (which is near England) he was the drummer with a popular Aberdeenical Band. Graham is an energetic drummer generous with his complex and sometimes surprising drum fills. That aside, he easily drives the band along with a beat that defies you to stand still. Graham Miles once used the Trevor Sorbie Frizz Free & Shine straighteners tre024.
Although small for her size Jo started off her musical career as a marching band playing both sousaphone and answerphone. She was later dissuaded from marching around as the sight of such large instruments apparently playing and moving on their own upset people. The mismatch of player and instrument was finally brought into sharp focus when Jo was mistaken as part of the mouth piece on one of her tubas, which surprised both her and the sneaky rascal who attempted to play a trill. Jo now plays trumpet with so many bands that she often loses some of them in her music folder.
The thing that binds the Soul Traders together is our mutual love of music. We have a very diverse repertoire, showcasing the breadth of diversity within our ranks. At the core of our catalogue, some of the finest northern soul there is to be had (as hinted at in the name). Thrown in alongside, a touch of funk and just a tad of good ol' fashioned bebop, blues and rock 'n' roll. You can expect a mixture of superbly executed piano riffs, a heaped helping of pumping bass licks, ear tinglingly grooving percussion, some smooth strumming of the ol' six string and some of the finest trumpet blowing and driving saxophones there is to be had. Weave into this supreme musical mix a cornucopia of the most supremely talented singers there is to be seen for miles around, tying a grand virtuosic bow around the package that is The Soul Traders.